Screen page formats needed

Every time I receive a manuscript by email –the only way we take them– I struggle with reading it on my laptop. It’s not so bad if it’s in a MS Word format, but an 8.5 x 11 pdf just does not fit well on my screen.

All of the word-processors and pdf-making software programs out there are set up with standard page formats: Letter, Legal, #10 Envelope, various European sizes. And that makes sense if the output destination is a printer.

But what if your destination is a monitor screen, as are more and more of the things we write? Letter-sized PDFs are awkward to read on a monitor and require excessive scrolling. A “half-letter” or “half-legal” size is perfect for reading on a screen, but most of our submitters would never think of it, or be afraid to submit a piece that way, because it is not an acceptable industry “standard”.

And the reflection on us if we buck the “standard” might not be acceptable, either.

Here’s the thing. As a publisher, all of our submissions are electronic. For final output to a book layout, the dimensions of a digital file do not matter. But for reading on a screen, they most certainly do.

We do not, as a rule, print manuscripts on a printer. And there is a lot more digital content out there on the web which is not meant to be printed out in a letter format. Why do we insist on this being our standard in the digital age?

So why don’t we have standard “Screen” layouts for our software programs. It really doesn’t make sense not too.

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One more word on POD

POD, print-on-demand. That’s vanity publishing, right?

Wrong.

Print-on-demand is a book printing technology, and vanity publishing is a business model. It’s pineapples and ugly-fruit. So why is it that tradition publishers, book review organizations, and others in the trade insist on conflating the two?

“We don’t accept POD books for review,” says one book review site I visited recently. Of course, I know they surely meant “vanity press books.” Right?

The Habit of Rainy Nights Press, like a growing number of tiny presses out there, is taking advantage of the low overhead cost of publishing our books through Lightning Source. Besides low up-front costs, there are sound environmental reasons for not printing and warehousing thousands of books which may or may not sell. Our books are available nationwide (and some internationally). We take advantage of the same distribution system as traditionally-printed books, and our books are a superior quality product. In addition, we print the works of highly-respected authors.

Why then should we be tarred with the same brush as the pay-to-be-published crowd, simply because of the technology we use? Please wake up out there in publishing land. Don’t conflate POD with vanity publishing or self-publishing.

And when it comes to self-publishing…well, that’s a different article for another day. But my point is: traditional attitudes need to be drastically revised.

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Bartlett House on the streets

Bartlett House, our mystery novel, has been out for several weeks now, and it is time for us to get serious about promoting it (actually that time was six weeks ago, but we had too much on our plate and other excuses). We hope to set up a few readings in the Portland area in the new year. See more about Bartlett House here.

In other news, our good friend, poet Ger Killeen, will be joining us on The Habit of Rainy Nights Press staff as Poetry Editor. We look forward to working with him and bringing out some good books this coming year.

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The Germaine Truth temporarily down

The Germaine Truth website is temporarily down while we move files and redesign. Up again soon.

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Website in now mostly back and running

After a week and a half of intensive work redesigning our website after moving to new servers, we now are mostly functional once again. We are quite pleased with the new look and invite you to check it out.

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